The arranger functions in Cubase allow you to work in a non-linear fashion. Quantizing is designed to correct errors, but you can also use it in a creative way.įades allow you to gradually increase or decrease the volume at the start or end of audio events or audio clips, and to create smooth transitions. Quantizing means moving recorded audio or MIDI and positioning it on the nearest grid position that is musically relevant. You can add audio and MIDI files to your project by importing them. In Cubase, you can record audio and MIDI. This is useful if you have no external MIDI instrument at hand and you do not want to draw in notes with the Draw tool. The On-Screen Keyboard allows you to play and record MIDI notes by using your computer keyboard or mouse. You can also work with selection ranges, which are independent from the event/part and track boundaries.Ĭubase offers multiple methods and functions to control playback and transport. Parts and events are the basic building blocks in Cubase.Įditing in the Project window is not restricted to handling whole events and parts. In Cubase, events and parts are placed on tracks. Tracks are the building blocks of your project. Each track is assigned to a particular channel strip in the MixConsole. Tracks are listed from top to bottom in the track list and extend horizontally across the Project window. They allow you to import, add, record, and edit parts and events. You must create and set up a project to work with the program. In Cubase, projects are the central documents. The Project window provides an overview of the project, and allows you to navigate and perform large scale editing. To play back and record in Cubase, you must set up input and output busses in the Audio Connections window. When using Cubase with external tape transports, you most likely must add a synchronizer to your system. You must set up your MIDI equipment before you can use it in Cubase. In Cubase, monitoring means listening to the input signal while recording.
CUBASE 4 STUDIO MANUAL DRIVER
Once you have selected the driver for your audio hardware and have set it up, you must specify which inputs and outputs to use.Ĭubase uses a system of input and output busses to transfer audio between the program and the audio hardware. Most audio cards provide one or more small applications that allow you to customize your hardware. Normally, when you start Cubase, a dialog opens that prompts you to select a driver, but you can also select your audio hardware driver as described below. Therefore, the following sections can only serve as examples.īy selecting an audio driver, you allow Cubase to communicate with the audio hardware. Your system setup depends on many different factors, for example, on the kind of project that you want to create, on the external equipment that you want to use, or on the computer hardware that is available to you. If you only use a stereo input and output from Cubase, you can connect your audio hardware, for example, the inputs of your audio card or your audio interface, directly to the input source and the outputs to a power amplifier and speaker. You must set up your audio equipment before you can use it in Cubase. The Studio Setup dialog allows you to set up your connected audio, MIDI, and remote control devices. To use Cubase, you must set up your audio, and if required, your MIDI system. Here you will find detailed information about all the features and functions in the program.
CUBASE 4 STUDIO MANUAL MANUAL
This is the Operation Manual for Steinberg’s Cubase. The following list informs you about the most important improvements in Cubase and provides links to the corresponding descriptions.
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